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Creative Writers and Day-Dreaming : ウィキペディア英語版 | Creative Writers and Day-Dreaming Creative Writers and Day-Dreaming ((ドイツ語:Der Dichter und das Phantasieren)), was an informal talk given in 1907 by Sigmund Freud, and subsequently published in 1908, on the relationship between unconscious phantasy and creative art. Freud's argument - that artists, reviving memories of childhood daydreams and play activities, succeeded in making them acceptable through their aesthetic technique〔Peter Gay, ''Freud: A Life for Our Time'' (1989) p. 307〕 - was to be widely influential for interwar modernism.〔R. Berman, ''Translating Modernism'' (2010) p. 13〕 ==Artistic sources== Freud began his talk by raising the question of where writers drew their material from, suggesting that children at play, and adults day-dreaming, both provided cognate activities to those of the literary artist.〔Peter Gay, ''Freud'' (1989) p. 307-8〕 Heroic and erotic daydreams or preconscious phantasies in both men and women were seen by Freud as providing substitute satisfactions for everyday deprivations;〔S. Freud, ''On Psychopathology'' (PFL 10) p. 88〕 and the same phantasies were in turn turned into sharable (public) artistic constructs by the creative writer, where they could serve as cultural surrogates for the universal instinctual renunciations inherent in civilization.〔S. Freud, ''Civilization, Society and Religion'' (PFL 12) p. 193〕
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